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聖托裡尼只有白色?還有這座消隱在山體裡的古宅酒店

  • 小白兔

  • 2018-10-12 14:43:39

伊亞城堡的小型酒店

Small Hotel in OIA Castle / Kapsimalis Architects

文字描述由建築事務所提供。這家小型酒店位於聖托裡尼島的傳統村莊伊亞(Oia)的西北部,就在其古老的中世紀城堡的邊界下方,俯瞰著大海和蒂西亞島,沐浴著聖托裡尼的日落。建築入口的路徑是通過一條連線古堡和舊港口Ammoudi的階梯步道。

Text description provided by the architects. The small hotel is located in the northwest part of the traditional village of Oia in Santorini, just below the borders of its old medieval castle, overlooking the sea, the island of Thirasia and the famous sunset of Santorini. The access to the building is via a main stepped path that connects the old Castle with Ammoudi, its old harbor.

該建築是一座建於19世紀後期的古宅,在它的底層有一箇舊的燃木烤箱,一個小倉庫和一個雨水箱,而住宅的主要房間則分佈在上層。在調研剛開始的時候,該建築物處於半廢棄的狀態,其結構完整性存在問題,且外立面受損。

The building was an old residence built around the late 19th century. On the ground floor there was an old wood-burning oven, a stable, small warehouses and a rainwater tank, while the main rooms of the residence were on the upper floor. In the beginning of the study, the building was in a semi-ruined state with problems in its structural integrity and damages in its shell.

在對老建築及其原有形態的裝飾元素進行詳細研究後,建築改造的目的就是完全保留其原始的建築形態和其內部空間,同時並不改變其任何原有的建築特徵,保留其與火山景觀的結合以及舊的聚落空間。但同時建築的外觀也發生了一些微小的變化,例如小型“水面”的營造,兩個主要樓梯的輕微改造,增加的組合座椅和一些內部空間的劃分,而這些改動都是根據酒店的必要使用需求而做出的。

After a detailed study of the old building and its morphological-decorative elements, the architectural intervention aimed at the absolute preservation of its original form and interior space, without any alteration to its identity and its integration in the volcanic landscape and the old settlement. Small variations in the exteriors of the building, such as the construction of small ‘’water surfaces’’, the subtle modification of the two main staircases, the addition of built-up seats and the division of some interiors, were made in terms of the necessary hotel use needs.

通過在擋土牆上使用當地的火山石,在立面和地板上使用淺棕灰色的灰泥,在木框架中使用深灰色,使得建築與周圍空間的材料、顏色和紋理相交融,幾乎消失在環境中。位於建築群入口的橄欖樹、薰衣草和百里香都是抵抗強風的植物,它們共同作用並與環境互補。

With the use of the local volcanic stone on the retaining walls, the light brown-gray plaster on the facades and floors and the deep gray in the wooden frames, the building gently blends in with the materials, colors and textures found in its surrounding space, almost disappearing into it. Olives, a palm tree at the entrance of the complex, laventers and thymes, resistant plants to the strong north winds, complement the integration of the synthesis into its environment.

酒店建築群由底層的三間酒店客房和一層的兩間酒店客房所組成,每間客房均設有獨立的入口和庭院、開放式臥室、更衣區以及浴室。建築頂部設有供酒店客人使用的公共休息區。

The hotel complex consists of three hotel rooms on the ground floor and two ones on the first floor, each one with its independent entrance/yard and its open sitting/bedroom/dressing space and bathroom. On the top of the building a common lounge area for the hotel guests takes place.

之前底層洞穴屋的白色塑性得到了保留,並輔以新的手工製作傢俱。相反,取消了上層舊住宅內部空間的尖銳線條,並且選用手工製作的木製深色傢俱以及寬大的煤灰色木板作為地板,顯示出對簡約的新古典主義風格的追求。

The white plasticity of the former ground floor cave houses has been preserved and supplemented by new hand-made built furniture. On the contrary, the sharp lines of the interior space of the old residence on the upper floor have been brought out and the addition of hand-made wooden deep-colored furniture and the use of wide coal-grey wooden boards as a floor are selected in terms of a plain neoclassical style quest.

用於劃分室內外空間的擋土牆的構造是用鋼筋混凝土和當地石材製成的。 在建築物的內部和外部的表面上使用噴漿,從而使其結構加固並具有防水的作用。石頭和隔熱磚用於填充牆壁,而彩色石膏則用於裝飾外牆。傳統的水泥石膏用於浴室和閣樓的牆體表面。

The construction of the retaining walls for the formation of the outdoor spaces has been made by the use of reinforced concrete and local stone. The use of gunite on the internal and external surfaces of the building was necessary for its structural reinforcement and waterproofing. Stones and heat-insulating bricks are used to fill the walls, while colored plaster for the facades. Traditional cement plaster is used for the surfaces of the bathrooms and the attic.

建築事務所:Kapsimalis Architects

位置:希臘,伊亞

主創建築師:Kapsimalis Architects

面積:220.0 m2

專案時間:2018年

攝影:Giorgos Sfakianakis

製造商:Flos, FOSCARINI, Gervasoni, HAY, Isomat, FontanaArte

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